In the house (Dans la maison) (№ 394119)

But if someone read it, he would say, there is not enough... not enough conflict. The character aspires to something, but meets on its way to the goal some obstacles, rivals and adversaries. Odysseus wants to return home, but encounters the Cyclops Polyphemus, the sirens and the sorceress CIRCE. And sometimes the conflict is not with an external enemy, but inside the hero. And it's not about the alteration of the porch, repair, or scams with the Chinese: I'm talking about a deep inner struggle. Achilles! Either go to war or remain at home with his wife and friends. The reader wants to know: how does the hero solve the problem and reach the goal? This is the main question that the author needs to create in the perception of the reader. What's next? Write you even a detective, though Shakespearean drama, but the main one goal - to make the reader wonder what will happen next? "There is no development," complains the reader, - "boring". The reader is similar to the Sultan from Scheherazade: "if I get bored, they will behead you! And tell an interesting story, will be able to survive." Sultan is a perfect example. People need stories! Life without stories is not worth anything.