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Stepping away from it to complete the necessary formalities, I thought the scene smacked of surrealism. Here she sits, burned, with a child in her arms. She's been through hell and a baby too, and people walk by smiling, "Oh, what a pretty kid!"

How do they know that standing on stage and saying other people's words as their own is not so much an act of courage as a desperate leap towards mutual understanding? Trying to create a subtle connection between the speaker and the listener and convey something – essentially anything.

The light is very dim. It is full of bottles, glasses, ashtrays ... The brown walls silently scream with hundreds of black inscriptions, reflected in a large dull mirror. The stage is somewhere to the right, from there muffled bass and drums can be heard, mixing with the beating of my heart and giving a rumble in my temples.

- New production of the conflict. The conflict between the Kremlin and the belolentochniki ... Nobody understands who are snakes and who are turtles. Everything in this world is confused ...

Mistakes will not be forgiven. A mistake on stage means nothing but death.

Open the curtain, I'll go out to bow!
We'll take another minute with the audience in unison!

My middle name is stage, my name is ARTIST!

It's a strange thing: I suddenly felt that the breakup scene gave me pleasure. It was somewhat reminiscent of the most exciting moment of the game of hide and seek, when the driver, turning away, counts, and the others run away to hide.

Silent scene. Svetlana clung to the actor, who is a monk, says something about kissing. The audience is in suspense, Sveta is in anticipation, the guy is in shock, I'm in the shroud!

- They educate those who should be conductors of neocolonialism.
- On the example of B. B. we see that they succeed. I must say that B. B. skillfully acts. What is the characteristic of the scene that just happened? What happened? It was about A. We discussed." what will happen. At this time, B. B. masterfully translated this situation in a completely different direction. First, he got a large audience, because he reigned on the screen. Without a moment's hesitation, he introduced some things that don't seem to need to be proven. For example, authoritarianism... You just keep quiet, it will not pass with me, I am the director! The second is kleptocracy. There is a serious struggle with this now.
But it doesn't matter to B.B. He doesn't talk about nuances, he just throws in... And it stays. And it's maturing. And someone will see: well, yes, really...
And in fact, the program is already dedicated not to A., but to...

It is necessary to leave the stage on time, as well as to leave! Remembering my idol Bulgakov: “... There is only one freshness - the first, it is also the last. And if the sturgeon is of the second freshness, it means that it is rotten! "

According to A. kozheva, regulative idea of law is justice - there is ravnoznachnosti the struggle of slave and master. In the "outline of the phenomenology of law" (1943) stage primary struggle at the moment when the struggle becomes truly man-made, is characterized as devoid of "injustice" and at the same time as carrying the possibility of "justice". Kozhev's seminar argues that the original equality consent to take the risk in the interaction, not as yet justice reveals, however, the "element of fairness" in human relations.



Explanation of the quote:

On the work of A. kozheva "Essays on the phenomenology of law"
Facebook Post from 15.08.2020

Who will share with me
it's a strange feeling of sadness? -
Here the end came
the performance of capital dancers
the noise died down, the empty stage...

Some of the actors are stunningly good at death. It's so hard to stop breathing, when at any moment you could develop an itch on your nose. When I die on that stage, I'd rather die behind the couch. Or just in a dark corner.