the audience [Theme] Page 2

We, ordinary spectators, feel that a speaker who walks in old untidy things does not respect his audience and to us he seems to be an ordinary loser.

wisdom! - so I happened to hear in the theater; some melancholy prince was speaking; he was dressed all in black and was very much afraid of another, who was walking around in gray cardboard armor.

The audience adds strength to an honest and sincere speaker.

There are exactly the same people sitting in the hall like you, and they, too, are afraid to speak in public, and if you confess to them your weaknesses, they will begin to support you. But, if you try to hide your fear, then you can be sure that all people sitting in the audience or auditorium will see it.

But speaking in itself does not threaten anything, but disgrace in front of everyone is already a threat, and it is public shame that causes fear. It's a shame when people laugh at you, and when people sitting in the auditorium laugh, it is a hundred times more offensive.

- Light up the lights in the hall! The viewer shouted. - I'm scared alone!

wives contain a number of extreme obscenities uttered from the stage. It is quite understandable that after this notification, not a single chaste lady remained in Paris, she would not wish to personally check all the nasty things that Moliere allowed himself to introduce into the play.

- I'm an actress. I don't want to play myself. You promised me a great role.
- And you got it.
- Nope. I got a caricature of my life, everyone on display. Divorce and the man who beats me? Am I going to drive Langland crazy and he's suffering from it? Do you think people don't think Langland is you and I'm kind of ruining my life? This is my life, Arthur! And I have the right to defend it!
- Viewers...
- Have the right to spectacle. And that's it! I did not expect such meanness from my own husband. This scenario, it's about people who don't have a future. I have a future...

As an actor, I always have to balance between what I think is right and what the viewer likes.

- It looks like the ex-champion has passed out. Dave, you have the floor.

I don't believe lonely people. Eternal spectators in the theater of life. Watch. Waiting.

The viewer expects sincerity, talk about himself, about what is happening to him, about his fears and hopes, abysses and heights. For example, I am the viewer who does not read film annotations, I know that something interesting and new can be expected from this author, and I come to the cinema for a dream. When you go to bed, you cannot read the annotation for a future dream, you just see it. Roughly the same thing happens with the viewer: he comes into the hall and will be happy to plunge into the unknown, disturbing him like a bad dream, or, on the contrary, like a dream. Since ancient times, people have been interpreting their dreams, trying to understand what lessons this dream gives them. Roughly the same thing happens to the viewer when he leaves the cinema: he entered the hall alone, and left changed. And he begins to think, involuntarily build connections, he ponders, compares what he saw with his own gaze, passes through himself this other people's experience, because the author's efforts, his sincerity, depth and artistic honesty in his relationship with the world bring him into such revelations that often a person I would have been ready to say it myself. You know how it happens, you read a book and think: "Me too, I also thought about this!" But only you do not know how to turn it into a form. Or is it not your task. And it also happens that the artist will give you a revelation about yourself and for this new value for you you will be grateful to him for a long time; how do you thank that dream that took you away from trouble or told something that you will not read in books.

Silent scene. Svetlana clung to the actor, who is a monk, says something about kissing. The audience is in suspense, Sveta is in anticipation, the guy is in shock, I'm in the shroud!

We, today's Caligula, swim smaller than the old ones, but in the same style. You must constantly remind yourself and others that you are drinking wine for ten thousand, and not for a thousand, because the language will not feel much difference. Thus, we drink not wine, but the narrative dissolved in it.